Australian choreographer Gideon Obarzanek of Chunky Move showed a brief sequence of his choreography, which included dances that looked like giant spiders scuttling across the stage, the illusion of rose petals blowing across prone dancers and intertwined bodies bathed in pulsating, monochromatic shards and shafts of light.

Obarzanek has become increasingly interested in using projectors as part of his pieces. He realized that he didn’t like the confines of using pre-rendered images (which forced dancers to be in specific places at specifics times), so he worked with a software engineer to create a program that takes information from a moving body and use algorithms to create new images based on their movements. Obarzanek would then project that back onto the dancers, allowing for a more organic form of expression, illustrating what Obarzanek describes as their “creature part”.

Gideon Obarzanek’s Digital Moves from PopTech on Vimeo.

In this way, light because its own entity in the show. It’s as if, Obarzanek said, he is choreographing with light. This, combined with noise and feedback, allows his team to create something truly unique.

Photo credit: Kris Krug